
"Some of the most beautiful chemically treated images I've ever seen." Stan Brakhage, Postcard, April 2001. (Referencing Sans Titre, The Shape of the Gaze and Site Visit.)
"Just as foregrounding the means of production became and important tactic for deconstructing essentialist representations of women in early feminist counter-cinema, Carpenter has used the techniques of surface manipulation and optical printing in her own work to problematize the cinematic construction of gender." Mary Slaughter, The Journal of Film and Video, vol. 54, no.1, Spring 2002. (Referencing Site Visit.)
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